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½ÅÈ­´Â »ó¹ÝµÇ´Â µÎ ij¸¯Å͸¦ ´ëÄ¡½ÃÄÑ °¥µîÇÏ°í ½Î¿ì°Ô ¸¸µç´Ù. ¼±°ú ¾ÇÀÇ ½Å, ÆòÈ­¿Í ÀüÀïÀÇ ½Å, »ç¶û°ú Áõ¿ÀÀÇ ½Å, dz¿ä¿Í °áÇÌÀÇ ½Å, ¹Ì¿Í ÃßÀÇ ½Å.... ¹¹, ±¸¼®±¸¼® µÚÁö¸é 5000°³Âë ¿¹·Î µé ¼ö ÀÖÀ» °ÍÀÌ´Ù. »ç½Ç ÀÌ Ä³¸¯Å͵éÀº Àΰ£ÀÇ ¾ç¸é¼ºÀ» ³ªÅ¸³½´Ù.

Áø½ÇÀÇ ½Å°ú °ÅÁþÀÇ ½ÅÀ» ´ëÄ¡½ÃŲ À̾߱⵵ ÀûÁö ¾Ê´Ù. ±×¸®½º ½ÅÈ­¸¦ ¿¹·Î µé¸é ¾Ë·¹Å×À̾ƴ Áø½ÇÀÇ ½Å, ÇÁ¼¼¿ìµ¹·Î°íÀÌ´Â °ÅÁþÀÇ ½ÅÀÌ´Ù. °ÅÁþÀÇ ±Í½ÅÀº ¹ä ó¸Ô°í ÇÏ´Â ÀÏÀÌ °ÅÁþ¸» ¸¸µé±â´Ù. °ÅÁþ¸»Àº ¿Ö ¸¸µå³ª. ´©±º°¡¿¡°Ô °ÅÁþ¸»À» µé·ÁÁÖ·Á ¸¸µç´Ù. ´ëÇѹα¹ Çö´ë¿¡ ÀÌ ±Í½ÅµéÀÌ µæ½Ã±Û°Å¸®´Ï °¡Â¥´º½º »ý»êÀÚµéÀÌ´Ù.

Áø½ÇÀº °ÅÁþÀ» ÀüÁ¦·Î ÇÑ´Ù. °ÅÁþÀÌ ÀÖ¾î¾ß ÂüÀÌ ÀÖ´Ù. ¾î¶² ±Í½ÅÀÌ “»ç¶÷Àº ¶ËÀ» ¸Ô°í ¹äÀ» ½Ñ´Ù”°í °ÅÁþ¸»À» ÇØ¾ß “¾Æ´Ï´Ù, »ç¶÷Àº ¹äÀ» ¸Ô°í ¶ËÀ» ½Ñ´Ù”°í ¿ÜÃÄ Áø½ÇÀ» µå·¯³»´Â ¹ýÀÌ´Ù. (ÇÏÀ̵¥°Å´Â ÀÌ ‘µå·¯³¿’¿¡ ÁÖ¸ñÇØ Áø½ÇÀÇ ½ÅÀ» ¸ð½Å´Ù. ºÎ·Ï º¸¼Å.)

Á¶±¹ÀÌ ±â·¹±â¿Í ±â´õ±â, À¯Åõ¹öµéÀÌ ½ÎÁö¸¥ °ÅÁþÀÇ ¶Ëµ¢¾î¸®µéÀ» Ä¡¿ì±â ½ÃÀÛÇß´Ù. ±× ¶ËÀÇ ¾çÀÌ ¾î¸¶¾î¸¶ÇÏ´Ù. Á¶±¹Àº ±× ¶ËµéÀ» “ÇϳªÇϳª µû¹Úµû¹Ú” Ä¡¿ï »ý°¢ÀÌ´Ù. ±â´Ù·Á¶ó, °ÅÁþÀÇ ¶Ëµé¾Æ.

“¾ß, ¶±ººÀÌ ¹«°ÔÁ» Àú¿ï¿¡ ´Þ¾Æº¸ÀÚ!” “¶±º¹ÀÌ´Â °ø»êÁÖÀÇÀÚ.... ¼Ò½Å....”

(ºÎ·Ï)

°ÅÁþ¸» ±Í½Å

¤±Pseudo-Logoi ; Lying Stories. °ÅÁþ°ú ÇãÀ§, ±â¸¸ÀÇ ±Í½Å. The Pseudologoi were the personifications of lies in Greek mythology. The male spirits (daemons) or gods of lies and falsehoods.

¤±À̸§ ; The Pseudologoi or Pseudo-Logoi (Greek: Ψευδολόγοι; singular: Pseudologos).

Áø½ÇÀÇ ½Å

¤±Aletheia. Áø½Ç°ú Áø¸®ÀÇ ½Å. °ÅÁþ¸» ±Í½ÅÀÇ ÃµÀû. the spirit of truth.

¤± ÇÏÀ̵¥°ÅÀÇ ¾Ë·¹Å×ÀÌ¾Æ ¼Òȯ ; Çϼ±»ýÀº ¾Ë·¹Å×À̾ÆÀÇ Ä³¸¯ÅÍ¿¡ Âø¾È, ±â¼ú°ú ¿¹¼úÀÇ º»ÁúÀ» ‘Å»ÀºÆó(Entbergung, disclosure)’¶ó´Â °³³äÀ¸·Î Á¤¸®. Å»ÀºÆó°¡ ¹¹½Ã³Ä. ÀºÆóµÅ ÀÖ´ø °Í, ¼û°ÜÁ® ÀÖ´ø °Í, °¨ÃçÁ® ÀÖ´ø °ÍÀ» ²ø¾î³»´Â °ÍÀÌ¿©. ±×·¯¹Ç·Î Å»ÀºÆó´Â ‘ÀÖÀ½’(Á¸Àç)ÀÇ ´Ù¸¥ ¸»À̶ó´Â °ÍÀÌÁö. ‘µå·¯³ª ÀÖÀ½, µå·¯³ª Á¸ÀçÇÔ’Àº ‘¼û±è’°ú ‘µå·¯³¿’ÀÌ ÅõÀïÇÏ¿© ³ª¿Â °á°ú. ¾Æµû, Èûµå³×. ³ªµµ º£³¢°í ÀÖ´Â ÁßÀÌÀ¯. ÇÏ¿©°£ Çϼ±»ýÀº Áö±Ý Áø½ÇÀ» µå·¯³»´Â ¾Ë·¹Å×À̾Ƹ¦ ĪÂùÇÏ°í ÀÖ´Â ¸ð¾çÀÌÀ¯. Disclosure is 'the uncovering beings concealed' and 'the bringing beings out and putting them in front'. It says both of technology and art are involved in a kind of 'uncovering'. (Áß·«) Heidegger believed that modern technology, owing to thought driven absolutely into reason, lost its way of disclosure in the sense of techne. (ÀÌ»ó, ±èÀÌÁøÀÇ ‘ÇÏÀ̵¥°ÅÀÇ °üÁ¡¿¡¼­ º» ±â¼ú°ú ¿¹¼ú¿¡ ´ëÇÑ °íÂû’ ¾ÕºÎºÐ¿¡¼­ º£³¦)

¤± In the early to mid 20th-century, Martin Heidegger brought renewed attention to the concept of aletheia, by relating it to the notion of disclosure, or the way in which things appear as entities in the world. While he initially referred to aletheia as "truth", specifically a form that is pre-Socratic in origin, Heidegger eventually corrected this interpretation, writing:

To raise the question of aletheia, of disclosure as such, is not the same as raising the question of truth. For this reason, it was inadequate and misleading to call aletheia, in the sense of opening, truth." (À§Å°)

(½ÅÈ­)

ÇÁ·Î¸ÞÅ׿콺°¡ ÁøÈëÀ¸·Î Áø½ÇÀÇ ½ÅÀ» ¸¸µé°í Àִµ¥ Á¦¿ì½º°¡ “Á» º¸ÀÚ”°í ºÎ¸§. µ¹·Î½º(»ç±â¿Í ÇùÀâÀÇ ±Í½Å. ¾êµµ god of lies)°¡ ³²Àº ÁøÈëÀ¸·Î Çϳª ´õ ¸¸µé¾ú´Âµ¥ ±×°ÍÀÌ °ÅÁþÀÇ ±Í½Å. ÁøÈëÀÌ ºÎÁ·ÇØ ´Ù¸®´Â ºÙ¿©ÁÖÁö ¸øÇÔ. ¾Ë°íº¸¸é ºÒ½ÖÇÑ ³ð. According to a different source, however, there was only one Pseudologos, a female deity, created by Dolos, spirit of deception and apprentice of the Titan god Prometheus. Prometheus decided to create Aletheia, goddess of Truth, so that the decisions of humankind would be regulated by her. While creating her, Prometheus was called away by Zeus, leaving Dolos alone in the workshop. Dolos started using the remaining clay for a second sculpture, identical to the first, but he soon ran out of clay without finishing the feet of his sculpture. When Prometheus returned, he was awed by the similarity between the two sculptures and put both in the kiln. He then breathed life into them and two figures were created; the first, Aletheia walked carefully and in a measured way; while the second, Pseudologos (falsehood) lay still, as she had no feet.

¢º(¿ÞÂÊ)A painting that reveals (alethe) a whole world. Heidegger mentions this particular work of Van Gogh's (Pair of Shoes, 1895) in "The Origin of the Work of Art". ¢º(¿À¸¥ÂÊ) Áø½ÇÀÇ ½ÅÀº ½ÅÀ» ½ÅÀ» ¼ö ÀÖÀ¸³ª, °ÅÁþÀÇ ½ÅÀº ´Ù¸®°¡ ¾ø¾î ½ÅÀ» ¸ø ½Å´Â´Ù.

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