»ó´Ü¿©¹é
HOME ¿¬Àç ±Í½Å ¾Ä³ª¶ô ±î¸Ô´Â ¼Ò¸®
Áø°ÝÀÇ ¿µ°¨µé[±Í½Å ¾Ä³ª¶ô ±î¸Ô´Â ¼Ò¸®(754)] À̽ÂÈ£ µ¿È­ÀÛ°¡
  • °ü¸®ÀÚ
  • ½ÂÀÎ 2020.10.15 15:33
  • ´ñ±Û 0

¿©Àǵµ°¡ ¿Üµý¼¶À̾úÀ» ¶§ ¾ê±â´Ù. À¢ ¿µ°¨µéÀÌ Ç㱸Ç峯 ¿©Àǵµ·Î¿¡ ¾É¾Æ ´©´õ±â¸¦ ¹þ¾î À̸¦ Àâ°ï Çß´Ù. ±×·¯´Ù ±æ ÀúÆí¿¡¼­ »ç¶÷µéÀÌ °É¾î¿À´Â °Ô º¸ÀÌ¸é ¿µ°¨µéÀº ³©³© ¾Î´Â ¼Ò¸®¸¦ ³»±â ½ÃÀÛÇß´Ù. “¾ÆÀÌ°í, ¿ì¸± Á» ¾îºÎ¹Ù Çؼ­ ÇÑ°­ Àú¦À¸·ç´Ù µ¥·Á´ÙÁÖ½´. ¿ì¸° ´Ä°í º´µé¾î ÀϾÁöµµ ¸øÇÑ´ç²². ³©³©....”

“ÇÏÀÌ°í À¸¸£½Åµé, °ÆÁ¤ÇÏ´ú ¸»°í ¾ó·· ¾÷È÷½´.” À¢¸¸ÇÑ »ç¶÷µéÀº µ¿Á¤½ÉÀ» À̱âÁö ¸øÇØ ±×µéÀ» ¾÷¾ú´Ù. ÀÌ·±, ¿µ°¨µéÀº ¾÷È÷ÀÚ¸¶ÀÚ È÷È÷´ö°Å·È´Ù. “½Ã¹æ ´Ì´ú¾ð Å©°Ô ½Ç¼öÇ× °Ü. ´Ì´ú¾ð ÀÌÁ¦¹öÅÒ ÇÀ»ý ¿ì¸® Á¾ÀÌ¿©. ¤»¤».”

±×µéÀÇ ¸ö¶×¾Æ¸®¿¡¼­ ¹ìó·³ »¸¾î³ª¿Â ÆÈ´Ù¸®°¡ Èñ»ýÀÚµéÀÇ ¸öÀ» °á¹ÚÇß´Ù. ±×µéÀº ±â»ýÃæó·³ ´Þ¶óºÙ¾î ¿Â°® °©ÁúÀ» ÇØ´ò´Ù. “¿À´Ã Àú³áÀº °­ °Ç³Ê ¸¶Æ÷ÃÖ´ëÆ÷³× Áý¿¡ °¡¼­ ¸Ô¾î¾ß°Ú±¸¸Õ. Àß ¾÷¾î¶óÀÌ. ÀÌ·­!” Èñ»ýÀÚ°¡ ¸»À» ¾È µéÀ¸¸é? ¸ñÀ» Á¹¶ú´Ù. »óÀüµµ ±×·± »óÀüÀÌ ¾ø¾ú´Ù.

(ºÎ·Ï)

¿µ°¨µéÀÇ Á¤Ã¼

Devalpa. ±æ°¡¿¡ ¾àÇÑ ³ëÀÎÀÇ ¸ð½ÀÀ¸·Î ¾É¾ÆÀÖ´Ù°¡ »ç¶÷ÀÌ ³ªÅ¸³ª¸é µ¿Á¤½É ÀÚ±ØÇÏ¸ç ¾÷¾î´Þ¶ó Åë»çÁ¤. ¼Ó¾Æ¼­ ¾÷¾îÁÖ¸é ³ðÀÇ ¸ö¿¡¼­ °¡Á× ÆÈ´Ù¸®°¡ ¹ìó·³ »¸¾î³ª¿Í Ä£ÀýÀ» º£Ç¬ »ç¶÷ÀÇ ¸ö ƯÈ÷ ¸ñÀ» ¿ÁÁÌ´Ù. À̶§ºÎÅÍ »ç¶÷Àº ³ðÀÇ ³ë¿¹°¡ µÈ´Ù. ¸»À» ¾ÈµéÀ¸¸é Á¶¿© Á×À̱⵵ ÇÑ´Ù. Appearing as frail old men, these djinn wait by the sides of roads, and will ask travelers to carry them on their backs. “Would you be so kind as to carry me across the river?” The Davalpa begs in a wheedling voice. It’s hard to deny the old man this one favor. If the travelers do this, then serpentine limbs will emerge from the creature and clasp around the victim, forcing them to act as their slave. Sometimes they constrict their victims to death.


³ë¿¹ »ýÈ°

´ç½ÅÀÌ ³ð¿¡°Ô ÀâÇû´Ù? ±×·³ Á×À» ¶§±îÁö ³ðÀÇ ±³Åë¼ö´Ü. °úÀϵµ µû¼­ ó¸Ô¿©¾ß ÇÑ´Ù. They use unwilling humans as their mounts! You’re his prisoner now, and will remain so until your death.

¼­½ÄÁö

À̶õ Áö¿ªÀÇ »ç¸·, Àεµ¾çÀÇ ¿Üµý¼¶ µî¿¡ »ê´Ù. ÃÖ±Ù ¿©Àǵµ¿¡ ¾óÂİŸ°´Ù´Â ¼Ò¹®ÀÌ ÀÖ¾ú´Ù. Davalpas can be found in the Iranian deserts and on uncharted islands in the Indian Ocean.

ÅðÄ¡¹ý, Å»Ãâ¹ý

¼ú¿¡ ÃëÇÏ°Ô Ç϶ó. ¡¶ÃµÀϾßÈ­¡·ÀÇ ¿©·¯ ÁÖÀΰø °¡¿îµ¥ ÇϳªÀÎ ½Åµå¹Ùµå´Â ³ð¿¡°Ô Æ÷µµ¿¡¼­ ¹ßÈ¿µÈ ¼ú ºñ½º¹«¸®ÇÑ °É ó¸ÔÀÎ µÚ... µ¹·Î ³ðÀÇ ´ë°¡¸®¸¦ ±úºÎ¼û. The only way to rid oneself of a devalpa is by allowing the beast to consume large amounts of alcohol and become drunk, at which point it will let go. The most famous davalpa was the Old Man of the Sea, which Sindbad the Sailor met on his fifth voyage. The Old Man successfully enslaved Sindbad, forcing him to do his bidding, but Sindbad managed to escape the creature’s clutches by fermenting grape juice and offering it to him. After getting drunk, the Old Man’s grip loosened and he fell off; Sindbad smashed his head with a rock.

±â»ýÃæµé

Today modern Iranian satirists and cartoonists have used the davalpa to represent greedy, parasitic institutions – especially helpful if those institutions disapprove of direct criticism.

(½ÉÈ­ÇнÀ)

´Ù¸§ À̸§

Dawal-bay, Himantopus, Himantopode, Sciratae, Shaikh al-Bahr, Old Man of the Sea, Tasma-pair, Nasnas (erroneously). º°¸í “strap-leg”.

»ý±è»õ, ÆмÇ

±¸ºÎÁ¤, µéâÄÚ. He’s hunched, frail, and withered, dressed in rags which cover his entire body. Pliny describes the snub-nosed, bandy-legged Sciratae, which seem to be one and the same.

ÆÈ´Ù¸®, ²¿¸®

±æÀÌ 3¹ÌÅÍ. ¾ÆÀÌ°í, ÀÌ°É·Î °á¹ÚÇϸé! ²¿¸®´Â äÂï. 3 meters long and powerful. They have multiple long snakelike legs that erupt out of their belly, and a tail they use to whip their mounts.

ÃÖÃÊ ¹ß°ßÁö°¡ Æ丣½Ã¾Æ ¾Æ´Ï·ª

Oddly enough, the davalpa is not of Persian origin. The earliest mention of davalpas is from Alexander’s Romance, where they are called the “savage Himantopodes” and share their land with Cynocephali, Blemmyes, Troglodytes, and other strange races. Himantopus means “strap foot”. Tornesello suggests that the various monstrous races of Hellenic myth arose from recollections of foreign soldiers during the Greco-Persian wars. The Sagartians in Xerxes’ army rode horses and used twisted leather lariats to entangle and kill enemies. The parallels with them and the davalpas include the leather-strap weapon, its use in strangling people, and the apparent incapability of walking (the Sagartians were always on horseback). Sagartioi can also be seen as the linguistic ancestor of Skiratoi.


(°ü·Ã±â»ç)

µ¿±³µ¿°è º¹´ç¼³¿¡ Ä£¹® ÃÊ°­°æ ¹Ý¹ß..À̳«¿¬ ±³ÅëÁ¤¸®
Á¤´ëö·±Ç³ë°© µî º¹´ç ŸÁø¿¡
´ç³» ÁÖ·ù 'Ä£¹®' °ø°³ ¹Ý¹ß
À̳«¿¬ "´ç ¹Û¿¡¼­ µµ¿ï °Í" ¼±±ß±â
µ¿±³µ¿°è-Ä£³ë·Ä£¹® »Ñ¸®±íÀº ¾Ç¿¬

±è´ëÁß Àü ´ëÅë·ÉÀÇ °¡½Å ±×·ìÀÎ ‘µ¿±³µ¿°è’°¡ ´õºÒ¾î¹ÎÁÖ´ç ÀÔ´çÀ» ŸÁøÇßÀ¸³ª »ç½Ç»ó ¹«»êµÆ´Ù. °ú°Å µ¿±³µ¿°è¿Í °¥µîÀ» ºú¾ú´ø Ä£¹® ¼¼·ÂµéÀÌ °ÝÇÏ°Ô ¹Ý¹ßÇÏÀÚ À̳«¿¬ ´ëÇ¥µµ º¹´ç¿¡ ¼±À» ±×¾ú´Ù. À̳«¿¬ ´õºÒ¾î¹ÎÁÖ´ç ´ëÇ¥´Â 12ÀÏ ±¹È¸¿¡¼­ ¿­¸° ÃÖ°íÀ§¿øȸÀÇ¿¡¼­ Á¤´ëö·±Ç³ë°© Àü ÀÇ¿ø µî µ¿±³µ¿°è ÀλçµéÀÇ º¹´ç¼³¿¡ ´ëÇØ “¿ø·ÎµéÀº ¹ÎÁÖ´ç ¹Ù±ù¿¡¼­ ¿ø·Î´Ù¿î ¹æ½ÄÀ¸·Î ¹ÎÁÖ´çÀ» µµ¿ÍÁֽø®¶ó ¹Ï°í ÀÖ´Ù”´Â ªÀº ÀÔÀåÀ» ¹àÇû´Ù. (Áß·«)

‘¹ÎÁÖ´çÀÇ ÀÔ’ÀÌÀÚ À̳«¿¬ ´ëÇ¥ÀÇ Ãø±ÙÀÎ ÃÖÀÎÈ£ ¼ö¼®´ëº¯ÀÎÀº À̳¯ ¿ÀÀü Á¤´ëö Àü ÀÇ¿øÀ» ÇâÇØ “ÀúÈñ ´ç°ú ÁöµµºÎÀÇ º¹´ç ÃßÁø »ç½ÇÀÌ ¾øÀ½À» Àß ¾Ë¸é¼­µµ º¹´ç ³íÀÇ°¡ ÀÖ´Â °Íó·³ ¾ð·Ð¿¡ È긮´Â °Í¿¡ °­ÇÑ À¯°¨À» Ç¥ÇÑ´Ù”°í ¹àÇû´Ù. ±×´Â “¿Â°® Çè´ãÀ» ½ñ¾ÆºÎÀ¸¸ç ´çÀ» ¶°³­ ÀÌÈÄ ´Ù¸¥ ´ç ´ë¼±Èĺ¸ÀÇ ´ç¼±¿¡ ¸ÅÁøÇϸ鼭 »ç½Ç»ó Á¤±Ç±³Ã¼¸¦ °ÅºÎÇß´ø °ÍÀ» ¿ì¸® ´ç¿øµéÀº ¶È¶ÈÈ÷ ±â¾ïÇÑ´Ù”¸ç “Á¤´ëö ¾¾´Â ´õºÒ¾î¹ÎÁÖ´ç¿¡ °ü½É °®Áö ¸»¾ÆÁÖ½Ã±æ ¹Ù¶õ´Ù”°í Èú³­Çß´Ù.

ÃÖ ¼ö¼®´ëº¯ÀÎÀº Àü³¯ ¹ã¿¡µµ ÃâÀÔ±âÀڵ鿡°Ô ¹®ÀÚ¸¦ º¸³» “ÀϺΠ¾ð·Ð¿¡¼­ º¸µµµÇ°í ÀÖ´Â µ¿±³µ¿°è Àλ翡 ´ëÇÑ º¹´ç ³íÀÇ´Â ÀüÇô »ç½Ç¹«±Ù”À̶ó¸ç “¾ÕÀ¸·Îµµ °èȹÀÌ ¾ø´Ù”°í ¸øÀ» ¹Ú¾Ò´Ù.

ÀüÀç¼ö ÀÇ¿øµµ “ºÒ°ú ¸î ³âµµ Áö³ªÁö ¾ÊÀº Àû´ëÇàÀ§°¡ »ê´õ¹Ìó·³ ½×¿©ÀÖ´Â °ÍÀº ¹®Á¦»ïÁö ¾Ê°ÚÁö¸¸ ÀØÇûÀ¸¸é ÀØÈù´ë·Î »ç´Â ¹ýÀ» ¹è¿ì¼Å¾ß ÇÒ µí ÇÏ´Ù”°í ºñÆÇÇß´Ù. Á¤Ã»·¡ ÀÇ¿øµµ “Çѹø ¹è½ÅÇÑ ÀÚ°¡ ¶Ç ¹è½ÅÇÏÁö ¸»¶ó´Â ¹ýÀÌ ¾ø°í À̵éÀÌ º¹´çÇؼ­ ¾ò´Â À̵æÀÌ ¾ø´Ù”¸ç “´ç ³» ºÐ¶õ¸¸ ÀÏÀ¸Å³ °ÍÀÌ ¸í¾à°üÈ­ÇÏ´Ù”°í ¿ø»ö ºñ³­Çß´Ù.

Ä£¹® ÁöÁöÃþÀº µ¿±³µ¿°è°¡ 2016³â 20´ë ÃѼ±À» ¾ÕµÎ°í ¹ÎÁÖ´çÀ» Å»´çÇÑ µÚ ¾Èö¼ö ±¹¹ÎÀÇ´ç ´ëÇ¥¸¦ ÁöÁöÇÑ °ÍÀ» ‘¹è½Å ÇàÀ§’·Î ±ÔÁ¤ÇÏ°í ÀÖ´Ù. À̵éÀº ¹®ÀçÀÎ ´ç½Ã »õÁ¤Ä¡¹ÎÁÖ¿¬ÇÕ ´ëÇ¥°¡ È£³²À» Ȧ´ëÇÑ´Ù¸ç ¾È ´ëÇ¥¿Í ÇÔ²² ±¹¹ÎÀÇ´çÀ» â´çÇß´Ù.

¹® ´ëÅë·ÉÀ» ¹è½ÅÇÏ°í ¶°³­ µ¿±³µ¿°è°¡ À̳«¿¬ ´ëÇ¥¿ÍÀÇ Àο¬À» °í¸®·Î »ï¾Æ º¹´çÀ» ½ÃµµÇÑ´Ù´Â ½Ã°¢ÀÌ´Ù. À̳«¿¬ ´ëÇ¥´Â ±è´ëÁß Àü ´ëÅë·É¿¡°Ô °øõÀ» ¹Þ¾Æ Á¤°è¿¡ ÀÔ¹®ÇßÀ¸¸ç, 2003³â Á¤´ëö Àü ÀÇ¿øÀÌ »õõ³â¹ÎÁÖ´ç ´ëÇ¥¿´À» ¶§ ºñ¼­½ÇÀåÀ» Áö³Â´Ù. Á¤ Àü ÀÇ¿ø µîÀº Áö³­ 4¿ù ÃѼ±À» ¾ÕµÎ°í ÀÌ ´ëÇ¥ ÁöÁö ¼±¾ð°ú ÇÔ²² º¹´çÀ» ½ÃµµÇßÁö¸¸ ¹Þ¾Æµé¿©ÁöÁö ¾Ê¾Ò´Ù. ÀÌ ´ëÇ¥µµ ´ç ³» ÃÖ´ë °èÆÄÀΠģ¹®¼¼·ÂÀÇ Àǻ縦 °Å½º¸¦ ¼ö ¾ø¾ú´Ù´Â ºÐ¼®ÀÌ´Ù.

µ¿±³µ¿°è¿Í Ä£¹®°úÀÇ ¾Ç¿¬Àº ³ë¹«Çö Àü ´ëÅë·É ½ÃÀý·Î °Å½½·¯ ¿Ã¶ó°£´Ù. µ¿±³µ¿°è¿Í Ä£³ë·Ä£¹®Àº ´ëºÏ¼Û±ÝƯ°Ë, ¿­¸°¿ì¸®´ç ºÐ´ç, ³ë Àü ´ëÅë·É źÇÙ, 20´ë ÃѼ±±îÁö °¥µîÀ» °ÅµìÇØ¿Ô´Ù. µ¿±³µ¿°è´Â 20´ë ÃѼ± Àü ¹®ÀçÀÎ ´ëÇ¥ÀÇ »çÅ𸦠ÁÖÀåÇÏ¸ç ´çÀ» ¶°³­ µÚ¿¡µµ 2018³â ±¹¹ÎÀÇ´çÀÌ ºÐ´ç ¶© ¹ÎÁÖÆòÈ­´ç¿¡ ÇÕ·ùÇß´Ù. ÇÏÁö¸¸ Áö³­ÇØ ¹ÎÁÖÆòÈ­´çÀÌ ´ë¾È½Å´çÀ¸·Î ºÐ´çÇÒ ´ç½Ã¿¡´Â ¾î´À ÂÊ¿¡µµ ÇÕ·ùÇÏÁö ¾Ê¾Ò´Ù. (À̵¥Àϸ®)

°ü¸®ÀÚ  freemediaf@gmail.com

<ÀúÀÛ±ÇÀÚ © ÀÚÀ¯¾ð·Ð½ÇõÀç´Ü, ¹«´Ü ÀüÀç ¹× Àç¹èÆ÷ ±ÝÁö>

Back to Top