»ó´Ü¿©¹é
HOME ¿¬Àç ±Í½Å ¾Ä³ª¶ô ±î¸Ô´Â ¼Ò¸®
ÀÚÇÑ´ç ¡®ºò3¡¯ÀÇ °ú°Å-ÇöÀç-¹Ì·¡[±Í½Å ¾Ä³ª¶ô ±î¸Ô´Â ¼Ò¸®(417)] À̽ÂÈ£ µ¿È­ÀÛ°¡
  • °ü¸®ÀÚ
  • ½ÂÀÎ 2019.02.08 11:16
  • ´ñ±Û 0

(1) ÈùµÎÀÇ ¼¼ ¸Ó¸® ½Å

ÄÚ³¢¸® ¸Ó¸® ¼¼ °³¸¦ ´Þ°í ÀÖ´Â ÈùµÎÀÇ °Å¹° ½ÅÀÌ ÀÖ´Ù. °¡³×»þ ½ÅÀÇ 32 Çö½Å °¡¿îµ¥ 28¹ø°´Ù. Á¤Ã¼´Â °¡³×»þÀÌÁö¸¸, ÀÌ 28¹ø° Á¸À縦 ÀÏÄþî ÈçÈ÷ ‘¼¼ ¾ó±¼ÀÇ °¡³×»þ’¶ó°í ºÎ¸¥´Ù. ¾îÀÌÇÏ¿© ‘¼¼ ¾ó±¼ÀÇ °¡³×»þ’´Â ÄÚ³¢¸® ¸Ó¸®¸¦ ¼¼ °³³ª ºÙÀÌ°Ô µÆÀ»±î.

¿ì¼± ÄÚ³¢¸® ¸Ó¸®¸¦ ´Þ°Ô µÈ »ç¿¬. °¡³×»þ´Â ¾ö¸¶°¡ °­¿¡¼­ ¸ñ¿åÇÒ ¶§ ´©°¡ ÈÉÃĺ¼±î ¸ÁÀ» º¸°í ÀÖ¾ú´Ù. ¾Æºü°¡ ³ªÅ¸³ª ¾ö¸¶°¡ ¸ñ¿åÇÏ´Â °­À¸·Î µé¾î°¡·Á Çß´Ù. “¾Èµà!” °¡³×»þ°¡ ¾Æºü¸¦ ¸·¾Æ¼¹´Ù. “³» ¸¶´©¶ó¿© ÀÓ¸¶!” “±×·¡µÎ ¾Èµà!” ¾Æºü´Â ¿­¹Þ¾Æ ¾ÆµéÀÇ ¸Ó¸®¸¦ º£¾ú´Ù. “ÀÌ°Ô À¢ÀÏÀÌ·ª....ÈæÈæ.” ¾ö¸¶°¡ ½½ÆÛÇÏÀÚ ¾Æºü´Â ÄÚ³¢¸® ¸Ó¸®¸¦ º£¾î ¾ÆµéÀÇ ¸Ó¸®·Î ºÙ¿©ÁÖ¾ú´Ù.

"Àý·ç °¡À¯!" “³» ¸¶´©¶ó¿© ÀÓ¸¶!” (The Story Of Ganesha.)

¸Ó¸®°¡ ¼¼ °³ µÈ »ç¿¬. ÈùµÎ±³ÀεéÀº ¸Ó¸®¸¦ ¼¼ °³·Î ¸¸µé¾î Á¦°¢°¢ ‘Á¸ÀçÀÇ °ú°Å-ÇöÀç-¹Ì·¡’ÀÇ »ó¡À¸·Î ¿©°å´Ù. »ó¡¿¡´Â Àǹ̰¡ ÀÖ´Â ¹ý. °ú°Å¿Í ¹Ì·¡¿¡ ¾ô¸Å¿© ÀÖÀ¸¸é ȯ»ó°ú ¸Á»ó ¼Ó¿¡ »ì°Ô µÈ´Ù°í »ý°¢Çß´Ù. ƯÈ÷ °ú°Å´Â Áß»ýÀ» Ÿ¼ºÀ¸·Î À̲ø¸ç, ¹Ì·¡´Â À̱â½É°ú ±Ç·Â¿åÀ¸·Î À̲ö´Ù°í ¿©°å´Ù. ÇöÀ縸ÀÌ °¢¼ºÀ¸·Î À̲ö´Ù°í ¹Ï¾ú´Ù.


(2) ÀÚÇÑ´çÀÇ 'ºò3'

ÀÚÇÑ´çÀÌ ¸Ó¸® ¼¼ °³¸¦ Ãâ»êÇß´Ù. ¿À¼¼ÈÆÀÌ ´ç´ëÇ¥ Ã⸶¸¦ ¼±¾ðÇϸ鼭 À̸¥¹Ù ‘ºò3’¸¦ ¿Ï¼ºÇß´Ù. ‘ºò3’°¡ ´©±¸³Ä. ¾ð·Ð¿¡¼­´Â ÁÖ·Î ¿À¼¼ÈÆ È²±³¾È È«ÁØÇ¥ µî ¼¼ »ç¶÷À» ²Å´Â´Ù. Á¤¿ìÅà ½ÉÀçö ±èÁøÅ ¾È»ó¼ö ÁÖÈ£¿µ µîÀº ‘ºò3’¿¡ ³¢¾îÁÖÁö ¾Ê´Â ¸ð¾çÀÌ´Ù. ³»Å¿Àº ¾Æ´ÏÁö¸¸, ¹Ì¾ÈÇÏ´Ù.

¿À¼¼ÈÆ È²±³¾È È«ÁØÇ¥ÀÇ ¾ó±¼À» º¸´Ï ‘ÀÚÇÑ´çÀÇ °ú°Å-ÇöÀç-¹Ì·¡’°¡ °í½º¶õÈ÷ º¸ÀδÙ. ±× ¾ó±¼ÀÌ ±× ¾ó±¼ÀÌ¿ä µµ±ä°³±äÀÌ´Ù. ¾î¶² ÀÚ´Â °ú°ÅÀÇ ¸Á»óÀ» ¹þ¾î³ªÁö ¸øÇÏ°í ÀÖÀ¸¸ç, ¹Ì·¡¸¦ ¸ð·¡ À§ÀÇ ½Å±â·ç·Î ±×·Á³»°í ÀÖ´Ù. ¾î¶² ÀÚ´Â ÀÚ½ÅÀÇ À̱â½ÉÀ» À̱âÁö ¸øÇØ ¹Ì·¡±Ç·ÂÀ» Ž³»°í ÀÖ´Ù. °Ô´Ù°¡ Áø½ÉÀ¸·Î °ú°Å¸¦ ¹Ý¼ºÇÏ°í ÇöÀ縦 ²ç¶Õ°í ÀÖ´Â ÀÚ, ´Ü ÇÑ¸íµµ ¾ø´Ù.

°­¿¡¼­ ¸ñ¿åÇÏ´Â ¾ö¸¶¿Í ¾Æºü. Siva and Parvati are bathing in a river, while Usha and her companions are watching from the bank. In the background Nandi, the bull-hehicle of siva, and the tiger, the vehicle of Parvati, are dozing in front of a bonfire.


(ºÎ·Ï)

°¡³×»þ

(»ê½ºÅ©¸®Æ®¾î: गणेश Gaṇeśa). ÁöÇý Àç»ê Çà¿îÀ» °üÀåÇÏ´Â ÈùµÎ ½Å. »ó¾÷°ú Çй®ÀÇ ½Å. ÈùµÎ±³ ƯÈ÷ ºñ¹ÐÁ¾ÆÄ·Î ¾Ë·ÁÁø °¡³ªÆÄƼ¾ÆÆÄ¿¡¼­ ÁÖ½ÅÀ¸·Î ¼þ¹è. ä½ÄÁÖÀÇ ½ÅÀ̱⵵ ÇÏ´Ù. the son of Lord Shiva and Goddess Parvati.


‘ºò3 ¸Ó¸®’ÀÇ °¡³×»þ

°¡³×»þÀÇ Çö½Å °¡¿îµ¥ Çϳª. Trimukha Ganapati is regarded as the 28th among the 32 different forms of Ganapati. The term ‘Trimukha’ is a combination of two words, ‘Tri,’ indicating the number three and ‘Mukha,’ meaning face. Trimukha Ganapati is thus the three-faced Lord. ¸Ó¸® ¼¼ °³´Â ‘Á¸ÀçÀÇ °ú°Å-ÇöÀç-¹Ì·¡’¸¦ »ó¡. symbolises that Lord Ganesha pervades and transcends the three states of being: past, present and future; corresponding to the three gunas (channels) of existence: tamas, sattva and rajas.


‘ÇöÀç’°¡ ÁßÇã´Ï¶ó

°ú°Å¿Í ¹Ì·¡¿¡ ÀâÇô »ç´Â Áß»ýÀº ¸Á»ó ¼Ó¿¡ »ç´Â Á¸Àç.... When human beings dwell in the past or future (tamas and rajas) they live in illusion. °ú°Å´Â Áß»ýÀ» Ÿ¼ºÀ¸·Î, ¹Ì·¡´Â À̱â½É°ú ±Ç·Â¿åÀ¸·Î À̲ô³ª´Ï.... Tamas leads to emotionalism, inertia and conditioning; rajas leads to egoism and domination of others. ±×·¯³ª ‘ÂüÁ¸Àç’´Â ÇöÀ縦 »ì¸ç °¢¼ºÇÏ´Â Á¸ÀçÀ̴϶ó... true being (sattva) resides in the present moment. sattva is conducive to Self-realisation.

“È«ÁØÇ¥ ¸Ó¸® ¾Æ´Ï¶ó °í¸¶¿öÀ¯.....” (Lord Shiva and Parvati Giving Bath to Lord Ganesha.)

À̸§

°¡³ªÆÄƼ(Ganapati, »ê½ºÅ©¸®Æ®¾î: गणपति Gaṇapati) · ºñÈå³×½´¹Ù¶ó(»ê½ºÅ©¸®Æ®¾î: Vighneśvara) µî ´Ù¾çÇÑ À̸§À» °®°í °è½É. ´ë°³ À̸§ ¾Õ¿¡ ½´¸® ¶Ç´Â ½Ã¸®¸¦ ºÙ¿© ½´¸® °¡³×»þ(»ê½ºÅ©¸®Æ®¾î: श्री गणेश Śrī Gaṇeśa)·Î ȣĪ.

‘ºò3’ ¹ýÄ¢

¹Ì±¹ÀÇ °æ¿µÇÐÀÚ ¼¼½º¿Í ½Ã¼Òµð¾îÀÇ ÀÌ·Ð. ºò2³ª ºò4 µî¿¡ ºñÇØ ºò3 üÁ¦°¡ ½ÃÀå¿¡¼­ °¡Àå È¿À²ÀûÀ̶ó°í ÁÖÀåÇÑ´Ù. ¿¹¸¦ µé¸é, °í°´Àº »óÇ°À» ±¸¸ÅÇÒ ¶§ ¼¼ °¡Áö ¼±ÅÃÁö¸¦ °í·ÁÇÑ´Ù°í ÇÑ´Ù. ºÒÇàÇÏ°Ôµµ ¾ð·ÐÀº Á¤¿ìÅà ½ÉÀçö ±èÁøÅ ¾È»ó¼ö ÁÖÈ£¿µ µîÀ» ‘ºò3’¿¡ ³¢¾îÁÖÁö ¾Ê´Â ¸ð¾çÀÌ´Ù. ³»Å¿Àº ¾Æ´ÏÁö¸¸, ¹Ì¾ÈÇô!

(°ü·Ã±â»ç)

¿À¼¼ÈÆ, Çѱ¹´ç Àü´ë Ã⸶…ºò3 °æÀï º»°ÝÈ­

¿À¼¼ÈÆ Àü ¼­¿ï½ÃÀåÀÌ 7ÀÏ "º¸¼ö´ëÅëÇÕ°ú Çõ½ÅÀ» ÀÌ·ï³» ¿À´Â ÃѼ±¿¡¼­ Çö Á¤ºÎ¸¦ ÀÀ¡ÇÏ°í Á¤±ÇÀ» ŻȯÇÏ°Ú´Ù"¸ç ÀÚÀ¯Çѱ¹´ç ´ç´ëÇ¥ Ã⸶¸¦ ¼±¾ðÇß´Ù.

¿À Àü ½ÃÀåÀº À̳¯ Çѱ¹´ç ´ç»ç¿¡¼­ ±âÀÚȸ°ßÀ» ¿­°í "±¹¹ÎÀû ½ÉÆÇÀ̾ú´ø źÇÙÀ» ´õ´Â ºÎÁ¤ÇÏÁö ¸»¾Æ¾ß ÇÑ´Ù"¸ç ÀÌ °°ÀÌ ¹àÇû´Ù.

¿À Àü ½ÃÀåÀº "´ëÅë·ÉÀ¸·Î¼­ ¹Ú±ÙÇý´Â ±¹¹Î°ú ´ç¿øÀÇ ¹Ù¶÷¿¡ Å« ½Ç¸»À» ¾È°Üµå·È´Ù"¸ç "´ç¿¡ µ¡¾º¿öÁø Ä£¹Ú±ÙÇý Á¤´çÀ̶ó´Â ±¼·¹¿¡¼­ ¹þ¾î³ª¾ß ÇÑ´Ù"°í °­Á¶Çß´Ù. ¶Ç ¹Ú Àü ´ëÅë·É »ç¸é¿¡ ´ëÇØ "È®Á¤ÆÇ°áÀÌ ³ª¿À±â Àü¿¡ Àü´ë ±¹¸é¿¡¼­ ¸ÕÀú »ç¸é ¾ê±â°¡ ³ª¿À´Â °ÍÀº ¹Ù¶÷Á÷ÇÏÁö ¾Ê´Ù"¸ç "»ç¸é·º¹±ÇÀº ±¹¹ÎÀû È­µÎ°¡ ÀÖÀ» ¶§ °¡´ÉÇÏ´Ù"°í ¼³¸íÇß´Ù.

¿À Àü ½ÃÀåÀº Ȳ±³¾È Àü ±¹¹«ÃѸ®¿¡ ´ëÇØ "(Ȳ Àü ÃѸ®°¡) ¹ý¹«ºÎ Àå°ü°ú ÃѸ®, ´ëÅë·É ±ÇÇÑ´ëÇà±îÁö ½¬Áö ¾Ê¾Ò´Ù"¸ç "¹Ú Àü ´ëÅë·ÉÀÌ À¯ÁË ÆÇ°áÀ» ¹Þ°í źÇٵŠ¼ö°¨µÈ »óȲÀ̱⠶§¹®¿¡ Ã¥ÀÓ¿¡¼­ ÀÚÀ¯·Î¿ï ¼ö ¾ø´Ù"°í Æò°¡Çß´Ù. ¶Ç "(Ȳ Àü ÃѸ®´Â) ÇÑ ¹øµµ °ËÁõµÈ ÀûÀÌ ¾ø´Ù"¸ç "ºÒ¾È¿ä¼Ò°¡ ÀÖ´Ù°í ÃßÃøÇÑ´Ù"°í µ¡ºÙ¿´´Ù.

¹Ù¸¥¹Ì·¡´ç°úÀÇ ÅëÇÕ ¿©ºÎ¿¡ ´ëÇؼ± "º¸¼ö¿ìÆĸ¦ Áß½ÉÀ¸·Î ¿À¸¥ÂÊ ³¡¿¡ Ȳ Àü ÃѸ®°¡ ÀÖ´Ù¸é ¿ÞÂÊ ³¡, ÁßµµÃþ¿¡ °¡±î¿î °÷¿¡ ¿À¼¼ÈÆÀÌ ÀÖ´Ù"¸ç "¹Ù¹Ì´çÀ» ¹Þ¾ÆµéÀÌ´Â ¹®Á¦´Â ºÐ¿­ÇÑ Áö¿ªÀ» ÃÖ¼ÒÈ­Çϱâ À§ÇØ ²ø¾î¾ÈÀ» ÇÊ¿ä°¡ ÀÖ´Ù"°í ÀüÇß´Ù.

¿À Àü ½ÃÀåÀÇ º»°Ý Ã⸶¼±¾ðÀ¸·Î ´ç±ÇµµÀü ºò3(¿À Àü ½ÃÀå, Ȳ Àü ÃѸ®, È«ÁØÇ¥ Àü Çѱ¹´ç ´ëÇ¥)ÀÇ Å¸ÀÌƲ °æÀïÀº º»°ÝÀûÀ¸·Î °¡¿­ÇÒ °ÍÀ¸·Î º¸ÀδÙ. ´Ù¸¸ ¿À´Â 27ÀÏ ¿­¸®´Â Àü´ë°¡ Á¦2Â÷ ºÏ¹ÌÁ¤»óȸ´ã°ú °ãÃÄ Àü´ë ³¯Â¥´Â Áö¿¬ÇÒ °¡´É¼ºÀÌ ³ô´Ù. (metroseoul.co.kr)

°ü¸®ÀÚ  freemediaf@gmail.com

<ÀúÀÛ±ÇÀÚ © ÀÚÀ¯¾ð·Ð½ÇõÀç´Ü, ¹«´Ü ÀüÀç ¹× Àç¹èÆ÷ ±ÝÁö>

Back to Top